Chris Holdaway (b. 1989) is a co-founder & director of Compound Press, as well as a founding editor of min–a–rets poetry journal. He received his MA(Hons) in linguistics from the University of Auckland, & his MFA in poetry from the University of Notre Dame. He is a cosmology & high-energy particle physics enthusiast, & currently engaged in an arms race with himself to build ever larger star-tetrahedron / merkaba structures.

   (2016): MFA, Poetry, University of Notre Dame du Lac
   (2014): MA (Hons, 1st class), Linguistics, University of Auckland

   (2012-??): Director, Compound Press
   (2015-16): Graduate assistant, Rare Books & Special Collections, Hesburgh Library
   (2014-16): Teaching fellow, University of Notre Dame du Lac
   (2014-16): Editorial assistant, Notre Dame Review

Select publications:

   (Forthcoming) Poetry New Zealand Yearbook 2020; "Albany"
   (Forthcoming) Sweet Mammalian Issue 6; "WHAU/FAUX/EDEN"

   (Apr 2019): Oversound Issue 5; "Caterpillar Valley"
   (Jul 2018): past simple Issue 14; "Deep unkind"
   (Jul 2017): The Seattle Review Vol. 9, No. 1 & 2; "SCORE: A complete description"
   (Apr 2017): Heavy Feather Review Vol. 6; from CODE: Equinox
   (Jan 2017): Cream City Review 40.2; 2 poems from "Landing August"

   (Jan 2018): HIGH-TENSION/FASHION (chapbook, Greying Ghost)

   (Forthcoming): Ka Mate Ka Ora Number 17; "Pictures of Lack: David Merritt"

   (Jun 2019): Jacket2 Extreme Texts Feature; "A spring in one's death, Or: A fountain of youth/doom in Middle English lyric"
   (Dec 2017): HAMSTER Issue 1; "from (-)VEILLED"
   (Dec 2016): FANZINE; "The Rule of Tincture: On Emily Wilson's The Great Medieval Yellows"

Complete list of publications / mail: chris [at] compoundpress [dot] org

Reading at the Hammes Bookstore
University of Notre Dame, 15 April 2015

MFA Thesis Reading, Philbin Studio Theatre
University of Notre Dame, 20 April 2016