Description
Editors’ note
Lisa Samuels wrote that distance is never dry. To read distance as both connecting and disconnecting, enabling as well as disabling. That separation, noise and delay are not obstacles to communication and language, but some of their operational conditions. For small island nations like Singapore and New Zealand, the surrounding water could signify inaccessibility, isolation and inertia. Or it could signify radical exchange and transformation, uncertainty and potentiality. In these poems, distance is not a gap to be closed or eliminated, but traversed in a manner akin to alchemy.
Gregory Kan
Great poems, Ben Lerner says, strategically disappoint us; we want poems to be both internal and social, closed and open, specific and universal. This impossibility frustrates, arouses contempt, but perhaps, in a thoughtful writer, might be transformed into something useful. How much pressure is there on these poems from Aotearoa and Singapura to give up their secrets? They have used the pressure, bending or sidestepping or refusing or delaying, but never simply yielding—I imagine their poets must be proud. Here are some useful poems, poems that might enable us to shift our grammar, syntax and, in several cases, even our languages. Here’s what they wrote.
Hao Guang Tse
