Posted on July 30, 2020May 8, 2025 by compoundpress_lz0u8gThe Alphabet Is Not Designed for ReadingCraig Foltz responds to The L’s (2019) by Judy AnnearContinue reading The Alphabet Is Not Designed for Reading
Posted on July 9, 2020December 14, 2024 by compoundpress_lz0u8gWailing Waiata: Takataapui marronage and ways of beingHana Pera Aoake responds to ransack (VUP, 2019) by essa may ranapiriContinue reading Wailing Waiata: Takataapui marronage and ways of being
Posted on May 10, 2020May 8, 2025 by compoundpress_lz0u8gWithin the glove, the graspChris Holdaway responds to Toxicon & Arachne (Nightboat, 2020) by Joyelle McSweeneyContinue reading Within the glove, the grasp
Posted on April 15, 2020May 8, 2025 by compoundpress_lz0u8gThe animal in us allJessica Lim responds to How I Get Ready (2019) by Ashleigh YoungContinue reading The animal in us all
Posted on April 1, 2020May 8, 2025 by compoundpress_lz0u8gUndertakingTate Fountain responds to Moth Hour (AUP, 2019) by Anne KennedyContinue reading Undertaking
Posted on March 25, 2020May 8, 2025 by compoundpress_lz0u8gde tout = of allJane Joritz-Nakagawa responds to émigre (Tinfish, 2019) by Genève ChaoContinue reading de tout = of all
Posted on February 26, 2020May 8, 2025 by compoundpress_lz0u8gSound GardenEliana Gray responds to Listening In (OUP, 2019) by Lynley EdmeadesContinue reading Sound Garden
Posted on February 19, 2020May 8, 2025 by compoundpress_lz0u8gA boxed set of threeJudy Annear responds to Archival Poetics (Vagabond, 2019) by Natalie HarkinContinue reading A boxed set of three
Posted on October 16, 2019May 8, 2025 by compoundpress_lz0u8gSecond S-nK. Day responds to Under Glass (AUP, 2019) by Gregory KanContinue reading Second S-n
