A collaboration between photographer Chris Corson-Scott and poet Chris Holdaway. Intense photographs, lyrical essay, and elegiac poetry combine to chart the artists’ trek through fading dreams of New Zealand’s industrial heritage. Human material endeavours threaten to send the planet into an uninhabitable death-spiral; manufacturing towns once bustling with life are discarded like the consumer goods they once produced—: “Far from an enlightened response to material exploitation, our unimaginative flight from former rural centres & industrial towns is in fact the same inability to conceive an adequate response to climate change & the Anthropocene.”
This book was produced to accompany the exhibition Dreaming in the Anthropocene, which ran at Trish Clark Gallery, June 13–July 29, 2017.

An artist from Auckland, New Zealand. His work is in collections including Auckland Art Gallery Toi o Tāmaki, The Chartwell Collection, and Christchurch Art Gallery Te Puna o Waiwhetū. His work was included in The Future Machine (2017-18) at Tauranga Art Gallery, The Devil’s Blind Spot: Recent Strategies in New Zealand Art Photography (2016-17) at Christchurch Art Gallery, and Kinder’s Presence (2013-14) at Auckland Art Gallery. With Chris Holdaway he is the co-author of Dreaming in Anthropocene (2017).
Review by Douglas Lloyd Jenkins and Peter Wells for PhotoForum



